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experimental documentary 

dotted
                 bodies

11 minutes 47 seconds  
2020
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featuring:

prakriti sharda, kashish kalia, riya singh, shankar rawlley, pragya kapur, gaurav rawat

directed by:

prakriti sharda and sagarika debnath

shot and edited by:

sagarika debnath

A medley of melancholy and movement come in play as two dancers talk about their university's annual production piece.

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OFFICIAL SELECTION - Birmingham International Dance Festival - 2022.png
OFFICIAL SELECTION -  Taiwan Dance Platform  - 2022.png
OFFICIAL SELECTION - Wench Film Festival - 2022.png
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OFFICIAL SELECTION - Jumping Frames - 2021 (1).png
OFFICIAL SELECTION - DMJ International Dance Film Festival  - 2021.png
OFFICIAL SELECTION - Lift-Off Filmmaker Sessions  - 2020.png
OFFICIAL SELECTION - Jaipur International Film Festival - 2021.png
OFFICIAL SELECTION - First-Time Filmmaker Sessions  Pinewood Studios - 2020.png
OFFICIAL SELECTION - 16 International Film Festival - 2020.png
QnA with Mizuhito Kuroda, Dance and Media Japan
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Dotted Bodies is such an uncanny piece, fiction and documentary mixed. You cannot tell what to believe and what to doubt. This is the first time I came across such a mystery dance film. Where were you inspired from? How much of this is fiction and how much is documentary?

Q:

Dotted Bodies is an amalgamation of accidental discoveries, truths and the power of recreation through dance. The film is a documentary based on a real story, experienced by the dancers in the film. 


We started with a photo project and the aim was to capture how melancholy seeps into our movements; we never intended to make a film at this stage. We were lucky enough to work with some really amazing dancers and during the course of the project and amidst hundreds of conversations, this story came up. The story of these dancers and what they faced, felt and experienced a few years ago on a strange, foreign stage. The story stayed with us, but then again, we never thought we could churn it into a film. It was only later while going through all the footage from our shoots late at three am, spending hours staring into the screen and studying each and every sway of the hand and flicker of the eye, that the two puzzle pieces (the dancers’ story and the same dancers’ movements years later) fell together and we decided to make a film.

A:

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